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Constructivism

 - 78 items found in your search
Movements:Constructivism
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Alexander Archipenko, Archipenko, Alexander; Varian, Elayne H. (Essay by)
1 Archipenko, Alexander; Varian, Elayne H. (Essay by)
Alexander Archipenko
New York Nohra Haime Gallery 1983 1st Paperback Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
[8] pp., illus.; 21.5 x 28 cm. Exhibition held November 9-December 3, 1983. A fine copy . 
Price: 21.95 USD
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Theatre in Revolution: Russian Avant-Garde Stage Design, 1913-1935, Baer, Nancy Van Norman (Curated by); Bowlt, John E., et al. (Contributions by)
2 Baer, Nancy Van Norman (Curated by); Bowlt, John E., et al. (Contributions by)
Theatre in Revolution: Russian Avant-Garde Stage Design, 1913-1935
London and San Francisco Thames and Hudson; Fine Arts Museums of San Francisco 1991 0500276463 / 9780500276464 Paperback Very Good Exhibition Catalogue Folio - over 12" - 15" tall 
207 pp., illus. (some col.), bib. notes, index; 31 cm. Catalogue of an exhibit held at the Fine Arts Museums of San Francisco, 9 November 1991-16 February 1992; IBM Gallery of Science and Art, 14 April 1992-13 June 1992; and the Armand Hammer Museum of Art and Cultural Center, 25 August 1992-2 November 1992. Firm binding, clean inside copy. Spine slightly sunned (bold & legible titles). Another copy available. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Introduction to Alexei Bakrushin and His Theatrical Museum, by Valerii Gubin; The Early Twentieth-Century Cultural Revival and the Russian Merchant Class, by Simon Karlinsky; Design and Movement in the Theatre of the Russian Avant-Garde, by Nancy Van Norman Baer; The Construction of Caprice: The Russian Avant-Garde Onstage, by John E. Bowlt; The Russian Avant-Garde and the Theatre of the Artist, by Mikhail Kolesnikov; East Meets West: Russian Stage Design and the European Avant-Garde, by Steven A. Nash; Russian Eccentric Theatre: The Rhythm of America on the Early Soviet Stage, by Mel Gordon; Constructivism and Dance, by Elizabeth Souritz; The Constructivist Stage, by Georgii Kovalenko; Designing Gestures in the Laboratory of Dance, by Nicoletta Misler; Manifestos of the Russian Avant-Garde; Selected Plot Summaries. 
Price: 24.95 USD
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Theatre in Revolution: Russian Avant-Garde Stage Design, 1913-1935, Baer, Nancy Van Norman (Curated by); Bowlt, John E., et al. (Contributions by)
3 Baer, Nancy Van Norman (Curated by); Bowlt, John E., et al. (Contributions by)
Theatre in Revolution: Russian Avant-Garde Stage Design, 1913-1935
London and San Francisco Thames and Hudson; Fine Arts Museums of San Francisco 1991 0500276463 / 9780500276464 Paperback Very Good Exhibition Catalogue Folio - over 12" - 15" tall 
207 pp., illus. (some col.), bib. notes, index; 31 cm. Catalogue of an exhibit held at the Fine Arts Museums of San Francisco, 9 November 1991 to 16 February 1992; IBM Gallery of Science and Art, 14 April 1992 to 13 June 1992; and the Armand Hammer Museum of Art and Cultural Center, 25 August 1992 to 2 November 1992. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Introduction to Alexei Bakrushin and His Theatrical Museum, by Valerii Gubin; The Early Twentieth-Century Cultural Revival and the Russian Merchant Class, by Simon Karlinsky; Design and Movement in the Theatre of the Russian Avant-Garde, by Nancy Van Norman Baer; The Construction of Caprice: The Russian Avant-Garde Onstage, by John E. Bowlt; The Russian Avant-Garde and the Theatre of the Artist, by Mikhail Kolesnikov; East Meets West: Russian Stage Design and the European Avant-Garde, by Steven A. Nash; Russian Eccentric Theatre: The Rhythm of America on the Early Soviet Stage, by Mel Gordon; Constructivism and Dance, by Elizabeth Souritz; The Constructivist Stage, by Georgii Kovalenko; Designing Gestures in the Laboratory of Dance, by Nicoletta Misler; Manifestos of the Russian Avant-Garde; Selected Plot Summaries. 
Price: 29.95 USD
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The Non-Objective World Revisited, Bann, Stephen (Introduction by)
4 Bann, Stephen (Introduction by)
The Non-Objective World Revisited
London Annely Juda Fine Art 1988 1870280091 / 9781870280099 1st Paperback Very Good Exhibition Catalogue 8vo - over 7¾" - 9¾" tall 
103 pp., illus. (some col.); 24 cm. Exhibition held 1 July to 15 October, 1988. Near fine. Firm binding, clean inside copy. Age toning. Many of the works reflect such abstract movements as Constructivism and Concrete Art. 
Price: 39.94 USD
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The Avant-Garde in Russia, 1910-1930: New Perspectives, Barron, Stephanie, and Tuchman, Maurice (Edited by)
5 Barron, Stephanie, and Tuchman, Maurice (Edited by)
The Avant-Garde in Russia, 1910-1930: New Perspectives
Los Angeles, CA Los Angeles County Museum of Art 1980 0875870953 / 9780875870953 Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
288 pp., illus., biblio.; 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Groundbreaking exhibition of Russian and Soviet art, with a special focus on Suprematism and Constructivism. Full of great information, excellent biographical entries. Essential art history. CONTENTS: Stephanie Barron, "The Russian Avant-Garde: A View from the West"; David Schapiro, "Art and Poetry: The Cubo-Futurists: An Interview with Roman Jakobson"; Jean Claude Marcade, "K. S. Malevich: From Black Quadrilateral (1913) to White on White (1917): From the Eclipse of Objects to the Liberation of Space"; Michail Grobman, "About Malevich"; Magdalena Dabrowski, "The Plastic Revolution: New Concepts of Form, Content, Space, and Materials in the Russian Avant-Garde"; Charlotte Douglas, "0-10 Exhibition"; Dmitri Sarabianov, "The Painting of Liubov Popova"; Valentine Marcade, "Vasilii Ermilov and Certain Aspects of Ukrainian Art of the Early Twentieth Century"; John E. Bowlt, "Alexandr Rodchenko as Photographer"; Vasilii Rakitin, "Gustav Klucis: Between the Non-Objective World and World Revolution"; Alma H. Law, "The Revolution in the Russian Theater"; Szymon Bojko, "Agit-Prop Art: The Streets were their Theatre"; Szymon Bojko, "Vkhutemas"; Jelena Hahl-Koch, "Kandinsky's Role in the Avant-Garde"; Boris Brodsky, "El Lissitzky"; Alan C. Birnholz, "El Lissitzky and the Spectator: From Passivity to Participation"; Gail Harrison Roman, "The Ins and Outs of Russian Avant-Garde Books: A History, 1910-1932"; Kestutis Paul Zygas, "Cubo-Futurism and the Vesnins' Palace of Labor"; Maurice Tuchman, "The Russian Avant-Garde and the Contemporary Artist." 
Price: 11.95 USD
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The Avant-Garde in Russia, 1910-1930: New Perspectives, Barron, Stephanie, and Tuchman, Maurice (Edited by)
6 Barron, Stephanie, and Tuchman, Maurice (Edited by)
The Avant-Garde in Russia, 1910-1930: New Perspectives
Los Angeles, CA Los Angeles County Museum of Art 1980 0875870953 / 9780875870953 Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
288 pp., illus., biblio.; 28 cm. Firm binding, clean inside copy. Superficial dampstaining/tail edge at the end (slight ripple; pages don't stick). Age toning. Another copy available. Groundbreaking exhibition of Russian and Soviet art, with a special focus on Suprematism and Constructivism. Full of great information, excellent biographical entries. Essential art history. CONTENTS: Stephanie Barron, "The Russian Avant-Garde: A View from the West"; David Schapiro, "Art and Poetry: The Cubo-Futurists: An Interview with Roman Jakobson"; Jean Claude Marcade, "K. S. Malevich: From Black Quadrilateral (1913) to White on White (1917): From the Eclipse of Objects to the Liberation of Space"; Michail Grobman, "About Malevich"; Magdalena Dabrowski, "The Plastic Revolution: New Concepts of Form, Content, Space, and Materials in the Russian Avant-Garde"; Charlotte Douglas, "0-10 Exhibition"; Dmitri Sarabianov, "The Painting of Liubov Popova"; Valentine Marcade, "Vasilii Ermilov and Certain Aspects of Ukrainian Art of the Early Twentieth Century"; John E. Bowlt, "Alexandr Rodchenko as Photographer"; Vasilii Rakitin, "Gustav Klucis: Between the Non-Objective World and World Revolution"; Alma H. Law, "The Revolution in the Russian Theater"; Szymon Bojko, "Agit-Prop Art: The Streets were their Theatre"; Szymon Bojko, "Vkhutemas"; Jelena Hahl-Koch, "Kandinsky's Role in the Avant-Garde"; Boris Brodsky, "El Lissitzky"; Alan C. Birnholz, "El Lissitzky and the Spectator: From Passivity to Participation"; Gail Harrison Roman, "The Ins and Outs of Russian Avant-Garde Books: A History, 1910-1932"; Kestutis Paul Zygas, "Cubo-Futurism and the Vesnins' Palace of Labor"; Maurice Tuchman, "The Russian Avant-Garde and the Contemporary Artist." 
Price: 9.95 USD
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Russkaia i Sovetskaia Zhivopis, 1900-1930 = Russian and Soviet Paintings 1900-1930: Selections from the State Tretyakov Gallery, Moscow, and the State Russian Museum, Leningrad, Basner, E. V., et al. (Catalogue by); Basner, E. V., and Gusarova, A. P. (Introduction by), and Bowlt, John E. (Essay by)
7 Basner, E. V., et al. (Catalogue by); Basner, E. V., and Gusarova, A. P. (Introduction by), and Bowlt, John E. (Essay by)
Russkaia i Sovetskaia Zhivopis, 1900-1930 = Russian and Soviet Paintings 1900-1930: Selections from the State Tretyakov Gallery, Moscow, and the State Russian Museum, Leningrad
Washington, D.C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 1988 0874744954 / 9780874744958 2nd Paperback Good 4to - over 9¾" - 12" tall 
Rebound in library boards, 238 pp., illus. (some col.), biblio.; 28 cm. Catalogue of an exhibition held at the Hirshhorn Museum and Sulpture Garden, Smithsonian Institution, Washington, D.C., July 12-Sept. 25, 1988; exhibition organized by the Hirshhorn Museum and Sculpture Garden with the State Tretyakov Gallery, Moscow, and the State Russian Museum, Leningrad. Withdrawn from library collection, with usual markings, otherwise very good. No writing in text. OVERSIZE! No priority/international, except by special arrangement. 
Price: 9.95 USD
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Russian Constructivist Roots: Present Concerns, Beal, Dianne (Curated by)
8 Beal, Dianne (Curated by)
Russian Constructivist Roots: Present Concerns
College Park, MD Art Gallery, University of Maryland 1997 0937123358 / 9780937123355 1st Ring Binding Very Good Exhibition Catalogue Oblong 
61 pp., illus. (some col.); 23 x 31 cm. Exhibition held at the Art Gallery, University of Maryland, November 6 to December 20, 1997. et al. Near fine. Clean copy. Age toning. 14 contemporary Russian artists. CONTENTS: Forward [sic]; Curator's statement; Contemporary Russian art and the newly historical Russian avant-garde; The rediscovery of the Russian avant-garde; The Russian avant-garde: a work in progress; The artists; A brief timeline; Lenders; Donors; Advisory board. 
Price: 59.95 USD
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Design for the Ballet, Beaumont, Cyril W. (Cyril William)
9 Beaumont, Cyril W. (Cyril William)
Design for the Ballet
London and New York The Studio; Studio Publications 2nd Hardcover Very Good Good Collectible 4to - over 9¾" - 12" tall 
Cloth, 156 pp., illus. (some col.), index; 29 cm. Topstained red. First published, 1937. Firm binding, clean inside copy. Expected browning. Dust jacket lightly soiled, with moderate edgewear, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. 
Price: 59.95 USD
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Victor Pasmore, Bell, Clive
10 Bell, Clive
Victor Pasmore
Harmondsworth Penguin Books; Penguin Modern Painters Ser. 1945 1st Paperback Very Good Collectible Oblong 
16 pp., por., 32 pl. (part col.); 18 x 23 cm. Firm binding, clean inside copy. Wraps lightly rubbed/faded. Age toning. 
Price: 24.95 USD
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Painting as Model, Bois, Yve-Alain; Krauss, Rosalind E. (Preface by)
11 Bois, Yve-Alain; Krauss, Rosalind E. (Preface by)
Painting as Model
Cambridge, MA MIT Press; An October Book 1993 0262521806 / 9780262521802 Paperback Fine 8vo - over 7¾" - 9¾" tall 
xxx, 327 pp., illus., biblio., index; 23 cm. Tight, clean copy. Stimulating essays on modern & contemporary art. Bois wrote his dissertation under Roland Barthes. "Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts. / Yve-Alain Bois was a founder of the French journal Macula and a Fellow at the Centre National de la Recherche Scientifique, Paris. He is currently Professor of the History of Art at Harvard University." - Publisher. 
Price: 39.95 USD
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Painting Revolution: Kandinsky, Malevich and the Russian Avant Garde, Bowlt, John, and Petrova, Evgeniia
12 Bowlt, John, and Petrova, Evgeniia
Painting Revolution: Kandinsky, Malevich and the Russian Avant Garde
Bethesda, MD Foundation for International Arts & Education 2000 0967845106 / 9780967845104 Paperback Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
215 pp., illus. (some col.), biblio.; 26 cm. Catalogue of an exhibition organized by the Foundation for International Arts and Education, the State Russian Museum and the State Museum Exhibition Center (ROSIZO). Firm binding, clean inside copy. OVERSIZE! No priority/air, except by special arrangement. 
Price: 39.95 USD
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Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West, Buck-Morss, Susan
13 Buck-Morss, Susan
Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West
Cambridge, MA MIT Press 2000 0262024640 / 9780262024648 1st Hardcover Fine Fine Collectible 8vo - over 7¾" - 9¾" tall 
Cloth, gilt, xvi, 368 pp., illus. (some col.), biblio., index; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. "The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. / Susan Buck-Morss is Professor of Political Philosophy and Social Theory, Department of Government, and Professor of Visual Culture, Department of Art History, Cornell University." - Publisher. 
Price: 34.95 USD
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The Latin American Spirit: Art and Artists in the United States, 1920-1970, Cancel, Luis R., et al.
14 Cancel, Luis R., et al.
The Latin American Spirit: Art and Artists in the United States, 1920-1970
New York Bronx Museum of the Arts; Harry N. Abrams 1988 0810912716 / 9780810912717 Hardcover Very Good Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
343 pp., illus. (some col.), biblio., index; 29 cm. "Published in connection with a traveling exhibition sponsored by the Bronx Museum of the Arts"--T.p. verso. Firm binding, clean inside copy. Front free endpaper (blank) clipped/top right corner. Age toning. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: Mexican and Mexican American artists: 1920-1970; The special case of Puerto Rico; Constructivism and Geometric Abstraction; New York Dada and New World Surrealism; The United States and socially concerned Latin American art; The Latin American presence; "Magnet-New York": conceptual, performance, environmental, and installation art. 
Price: 39.95 USD
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The Latin American Spirit: Art and Artists in the United States, 1920-1970, Cancel, Luis R., et al.
15 Cancel, Luis R., et al.
The Latin American Spirit: Art and Artists in the United States, 1920-1970
New York Bronx Museum of the Arts; Harry N. Abrams 1988 0810924064 / 9780810924062 Paperback NEW Exhibition Catalogue 4to - over 9¾" - 12" tall 
343 pp., illus. (some col.), biblio., index; 29 cm. "Published in connection with a traveling exhibition sponsored by the Bronx Museum of the Arts"--T.p. verso. BRAND NEW. Shrinkwrapped. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: Mexican and Mexican American artists: 1920-1970; The special case of Puerto Rico; Constructivism and Geometric Abstraction; New York Dada and New World Surrealism; The United States and socially concerned Latin American art; The Latin American presence; "Magnet-New York": conceptual, performance, environmental, and installation art. 
Price: 34.95 USD
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Abstract Art in the Late Twentieth Century, Colpitt, Frances (Edited by)
16 Colpitt, Frances (Edited by)
Abstract Art in the Late Twentieth Century
Cambridge Cambridge University Press 2002 0521004535 / 9780521004534 Paperback Fine 8vo - over 7¾" - 9¾" tall 
xix, 212 pp., illus., bib. notes, index; 24 cm. AS NEW. An interesting anthology. "By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art." - Publisher. CONTENTS: Four Abstract Classicists, by Jules Langsner; Literalism and Abstraction: Frank Stella's Retrospective at the Modern, by Philip Leider; Serial Imagery, by John Coplans; The Silent Art, by Lucy R. Lippard; After the Ultimate, by Grégoire Müller; Marden, Novros, Rothko: Painting in the Age of Actuality, by Sheldon Nodelman; The End of Painting, by Douglas Crimp; Signs Taken For Wonders, by Hal Foster; The Current State of Nonrepresentation, by Jeremy Gilbert-Rolfe; The Abstract Self-Object, by Donald Kuspit; Once Removed From What?, by David Pagel; Systems of Opinion: Abstract Painting since 1959, by Frances Colpitt. 
Price: 21.95 USD
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Revolutionary Soviet Film Posters, Constantine, Mildred, and Fern, Alan Maxwell
17 Constantine, Mildred, and Fern, Alan Maxwell
Revolutionary Soviet Film Posters
Baltimore, MD Johns Hopkins University Press 1974 0801816416 / 9780801816413 1st Hardcover Very Good Good Folio - over 12" - 15" tall 
xi, 97 pp., illus., biblio., index; 31 cm. Firm binding, clean inside copy. Light edgewear to boards, age toning. First Edition, First Printing. Dust jacket, worn at extremities, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. 
Price: 24.95 USD
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Samizdat: Book and Installation Art from Central and Eastern Europe, 1970-1996: An Exhibition of Nonconformist Art, Cook, Silas B., and Fillin-Yeh, Susan, and Lencek, Lena, and Ondrizek, Geraldine
18 Cook, Silas B., and Fillin-Yeh, Susan, and Lencek, Lena, and Ondrizek, Geraldine
Samizdat: Book and Installation Art from Central and Eastern Europe, 1970-1996: An Exhibition of Nonconformist Art
Portland, OR Douglas F. Cooley Memorial Art Gallery, Reed College 1997 1st Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
48 pp., illus.; 28 x 21 cm. Firm binding, clean inside copy. Front cover nicked slightly, otherwise fine. 
Price: 44.95 USD
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Art in European Architecture; Synthèse des Arts, Damaz, Paul; Le Corbusier (Preface by)
19 Damaz, Paul; Le Corbusier (Preface by)
Art in European Architecture; Synthèse des Arts
New York Reinhold Publishing Corporation 1956 1st Hardcover Good Good 4to - over 9¾" - 12" tall 
xii, 228 pp., illus., col. plates, biblio.; 27 cm. Text in English and French. Reference copy: Firm binding, clean inside copy. Waterstained/tail edge (pages don't stick). Dust jacket, with light chipping to spine ends & edges, protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. Le Corbusier and Leger were both great advocates of mural decoration as a way of bridging a perceived divide between art & architecture. Also discusses the "renaissance of stained glass," public sculpture, mosaics, other topics. 
Price: 21.95 USD
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The October Revolution and the Arts: Artistic Quest of the 20th Century: Tolstoi, Blok, Mayakovsky, Eisenstein, Davydov, Yuri
20 Davydov, Yuri
The October Revolution and the Arts: Artistic Quest of the 20th Century: Tolstoi, Blok, Mayakovsky, Eisenstein
Moscow Progress Publishers 1967 1st Mass Market Paperback Very Good Collectible 12mo - over 6¾" - 7¾" tall 
351 pp., ports.; 17 cm. Translated from the Russian by Bryan Bean and Bernard Meares. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Stated "First printing." 
Price: 44.95 USD
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