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Installation Art

 - 196 items found in your search
Movements:Installation Art
   -Postcards

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Marina Abramovic: Performing Body, Abramovic, Marina, and Denegri, Dobrila
1 Abramovic, Marina, and Denegri, Dobrila
Marina Abramovic: Performing Body
Milan Charta 1998 8881581604 / 9788881581603 Paperback Fine 4to - over 9¾" - 12" tall 
47 pp., illus. (some col.); 27 cm. Text in English and Italian. AS NEW. OVERSIZE! No priority/air, except by special arrangement. "This book records Marina Abramovic’s return to Rome after an absence of twenty years and is dedicated to some of the artist’s performances which are among the most significant ones in her creative development. After the sound installations of the early 1970’s, she increasingly felt that her body was to be involved in her art; and moved towards Body Art almost unconsciously, to the point that today she cannot but express her art through this language." - Publisher. 
Price: 24.95 USD
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Doug Aitken: A-Z Book (Fractals), Aitken, Doug
2 Aitken, Doug
Doug Aitken: A-Z Book (Fractals)
Ostfildern-Ruit Hatje Cantz Publishers 2002 3775712917 / 9783775712910 1st Hardcover Very Good Exhibition Catalogue Folio - over 12" - 15" tall 
Pictorial boards, ca. 128 pp., chiefly col. illus.; 34 cm. Design by Doug Aitken and Edward Taylor. Artwork by Doug Aitken, Philippe Parreno. Edited by Marion Boulton Stroud, Russell Ferguson, Beatrix Ruf. Contributions by Michael Speaks. Published in conjunction with the exhibition "Doug Aitken: Interiors" (September 20 - January 11, 2003) at the Fabric Workshop and Museum, Philadelphia and "Doug Aitken" (June 15 - August 10, 2003) at the Kunsthalle Zurich. Near fine. Firm binding, clean inside copy. Top right corner lightly bumped. OVERSIZE! No priority/international, except by special arrangement. "Doug Aitken makes art at the edge of the world, with a kind of primitivism and ritualism unusual for video but mysteriously present in work that hovers at the edge where desert meets sea. Rise presents stills and installation shots from rise, the mirror, moving, these restless minds, 2-second separation, and i am in you, alongside an essay and interview with the artist." - Publisher. 
Price: 44.95 USD
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Doug Aitken, Aitken, Doug; Birnbaum, Daniel, and Sharp, Amy, and Heiser, Jorg (Contributions by)
3 Aitken, Doug; Birnbaum, Daniel, and Sharp, Amy, and Heiser, Jorg (Contributions by)
Doug Aitken
London Phaidon Press Limited 2001 0714839892 / 9780714839899 Paperback Very Good 4to - over 9¾" - 12" tall 
159 pp., illus. (some col.), biblio.; 29 cm. Near fine. Firm binding, clean inside copy. Remainder mark/flyleaf. OVERSIZE! No priority/air, except by special arrangement. "American video and installation artist Doug Aitken exploded on the international art scene with his multi-screen work 'electric earth,' which captivated audiences at the Venice and Whitney Biennales. This work focused on the bizarre nocturnal experiences of a young man exploring the edges of Los Angeles, presenting dream-like sequences which rearrange the linear flow of narrative into a series of unforgettable, disjointed photographic tableaux. Like much of his work, it contrasts the high-tech speed of contemporary daily life with the monotony of the urban landscape. In subsequent work set in distant places, from the island of Montserrat to the jungles of Guyana, Aitken creates unexpected yet beautiful imagery which encircles the viewer and creates a suspended, hyper-real portrait of contemporary life. In the Survey, curator and critic Daniel Birnbaum sets Aitken's art within the context of contemporary philosophy and the work of other recent artists who have explored expanded notions of time and space, in the Interview frieze publisher and critic Amanda Sharp discusses the artist's working methods, in the Focus section critic Jörg Heiser looks at Aitken’s recent 'i am in you,' a five-screen work centering on the imaginative experiences of a young girl. For his Artist's Choice Aitken has selected a short story by Jorge Luis Borges whose description of altered realities through the distortions of mirrors and memory echoes the artist’s own interests. Artist's Writings include Aitken's retelling of an unusual story he once heard from strangers which served as the basis for subsequent video work." - Publisher. 
Price: 34.95 USD
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Louise Nevelson: Atmospheres and Environments, Albee, Edward (Introduction by)
4 Albee, Edward (Introduction by)
Louise Nevelson: Atmospheres and Environments
New York Clarkson N. Potter, Inc.; Whitney Museum of American Art 1980 0517540517 / 9780517540510 1st Paperback Very Good Exhibition Catalogue Folio - over 12" - 15" tall Guerrero, Pedro (Photographs by) 
Cloth, gilt, 191 pp., illus. (some col.; some fold.), biblio.; 33 cm. First paperback edition. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27 to September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. Born in Kiev, Russia, the American sculptor Louise Nevelson (1899-1988) was a pioneer in the creation of Assemblages and Environments. However, her enigmatic sculptures and psychologically-charged installations have more in common with her contemporaries Isamu Noguchi, Louise Bourgeois and mid-century Surrealists than with the Pop artists or the creators of the Happenings. Another precursor was the Dadaist Kurt Schwitters. 
Price: 21.95 USD
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Louise Nevelson: Atmospheres and Environments, Albee, Edward (Introduction by)
5 Albee, Edward (Introduction by)
Louise Nevelson: Atmospheres and Environments
New York Clarkson N. Potter, Inc.; Whitney Museum of American Art 1980 0517540541 / 9780517540541 1st Hardcover Very Good Fine Exhibition Catalogue Folio - over 12" - 15" tall Guerrero, Pedro (Photographs by) 
Cloth, gilt, 191 pp., illus. (some col.; some fold.), biblio.; 34 cm. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27-September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Near fine. Firm binding, unmarked. Faint soil spot on half-title page, age toning. Dust jacket protected in a mylar book cover. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Collectible. Born in Kiev, Russia, the American sculptor Louise Nevelson (1899-1988) was a pioneer in the creation of Assemblages and Environments. However, her enigmatic sculptures and psychologically-charged installations have more in common with her contemporaries Isamu Noguchi, Louise Bourgeois and mid-century Surrealists than with the Pop artists or the creators of the Happenings. Another precursor was the Dadaist Kurt Schwitters. 
Price: 59.95 USD
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Louise Nevelson: Atmospheres and Environments, Albee, Edward (Introduction by)
6 Albee, Edward (Introduction by)
Louise Nevelson: Atmospheres and Environments
New York Clarkson N. Potter, Inc.; Whitney Museum of American Art 1980 0517540517 / 9780517540510 First paperback edition Paperback Very Good Exhibition Catalogue Folio - over 12" - 15" tall Guerrero, Pedro (Photographs by) 
Cloth, gilt, 191 pp., illus. (some col.; some fold.), biblio.; 33 cm. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27-September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Collectible. Born in Kiev, Russia, the American sculptor Louise Nevelson (1899-1988) was a pioneer in the creation of Assemblages and Environments. However, her enigmatic sculptures and psychologically-charged installations have more in common with her contemporaries Isamu Noguchi, Louise Bourgeois and mid-century Surrealists than with the Pop artists or the creators of the Happenings. Another precursor was the Dadaist Kurt Schwitters. 
Price: 21.95 USD
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AOR: Lita Albuquerque at the Frederick R. Weisman Museum of Art, Albuquerque, Lita; Beasley, Jon (Edited by)
7 Albuquerque, Lita; Beasley, Jon (Edited by)
AOR: Lita Albuquerque at the Frederick R. Weisman Museum of Art
Malibu, CA Frederick R. Weisman Museum of Art, Pepperdine University 2006 1882705041 / 9781882705047 1st Paperback Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
93 pp., illus. (some col.); 27 cm. Firm binding, clean inside copy. American installation, environmental artist, painter and sculptor. 
Price: 69.95 USD
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Eleanor Antin, Antin, Eleanor; Fox, Howard N., and Bloom, Lisa E. (Texts by)
8 Antin, Eleanor; Fox, Howard N., and Bloom, Lisa E. (Texts by)
Eleanor Antin
Los Angeles Los Angeles County Museum of Art 1999 091129127X / 9780911291278 1st Paperback Very Good Exhibition Catalogue 8vo - over 7¾" - 9¾" tall 
259 pp., illus. (some col.), biblio.; 24 cm. Catalogue of an exhibition held at the Los Angeles County Museum of Art, May 23-Aug. 23, 1999. Near fine. Tight, clean copy. Light edgewear to wraps. Another copy available. 
Price: 14.95 USD
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Mind over Matter: Concept and Object, Armstrong, Richard (Curated by)
9 Armstrong, Richard (Curated by)
Mind over Matter: Concept and Object
New York Whitney Museum of Art 1990 0874270731 / 9780874270730 1st Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
156 pp., illus. (some col.), bib. notes; 25 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, Oct. 3, 1990-Jan. 6, 1991. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. An exhibition on the neo-conceptual art of the late eighties. Includes: Ashley Bickerton, Nayland Blake, Tishan Hsu, Ronald Jones, Liz Larner, and Annette Lemieux. 
Price: 49.95 USD
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1991 Biennial Exhibition, Armstrong, Richard, and Hanhardt, John, and Marshall, Richard, and Phillips, Lisa
10 Armstrong, Richard, and Hanhardt, John, and Marshall, Richard, and Phillips, Lisa
1991 Biennial Exhibition
New York Whitney Museum of American Art 1991 0393307727 / 9780393307726 1st Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
391 pp., illus. (some col.), bib. notes; 24 cm. Firm binding, with one spine crease. Clean inside copy. Age toning. Another copy available. OVERSIZE! No priority/air, except by special arrangement. The Whitney Museum's Annual/Biennial exhibitions began in 1932; a nonjuried exhibition selected by the staff, the current "Whitney Biennial" is a tastemaking blockbuster exhibition that usually provides a good barometer of the contemporary art market, and fills much the same role as the 19th-century Parisian Salon in resisting and coopting the avant-garde. 
Price: 24.95 USD
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11 Armstrong, Richard, and Hanhardt, John, and Marshall, Richard, and Phillips, Lisa
1991 Biennial Exhibition
New York Whitney Museum of American Art 1991 0393307727 / 9780393307726 1st Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
391 pp., illus. (some col.), bib. notes; 24 cm. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. The Whitney Museum's Annual/Biennial exhibitions began in 1932; a nonjuried exhibition selected by the staff, the current "Whitney Biennial" is a tastemaking blockbuster exhibition that usually provides a good barometer of the contemporary art market, and fills much the same role as the 19th-century Parisian Salon in resisting and coopting the avant-garde. 
Price: 34.95 USD
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James Coleman, Baker, George (Edited by)
12 Baker, George (Edited by)
James Coleman
Cambridge, MA MIT Press; October Files 5 2003 0262523418 / 9780262523417 Paperback Very Good 8vo - over 7¾" - 9¾" tall 
vi, 213 pp., illus., bib. notes, index; 23 cm. Near fine. Tight, clean copy. Remainder mark/tail edge. "James Coleman has emerged in recent years as one of the most important artists of visual postmodernism. His work has transformed critical debates about the status of the image in contemporary culture and influenced an entire generation of younger artists in ways that have not yet been fully acknowledged. Until recently, Coleman has enjoyed relatively little critical attention -- in part because of his refusal to comment on his projects or to allow his work to be reconstructed outside of the context of its exhibition. The illustrated essays in this book span the entirety of Coleman's career to date, from his early postminimal and conceptual experiments with memory and perception, through his work in film, video, and narrative in the 1980s, to his current ongoing series of slide projections with voice-over that he calls simply 'projected images.' Reflecting the interdisciplinary nature of the debates induced by Coleman's work, the essays discuss issues of subjectivity and identity, nationalism, postcolonialism, memory, spectacle culture, digitalization, and new media. The contributors are Raymond Bellour, Benjamin Buchloh, Lynne Cooke, Jean Fisher, Luke Gibbons, Rosalind Krauss, Anne Rorimer, and Kaja Silverman. Written by curators, critics, and scholars and spanning the fields of art history, literary criticism, philosophy, and film theory, the essays attest to the interdisciplinary challenge of Coleman's work. George Baker is Assistant Professor of Art History at UCLA." - Publisher. 
Price: 24.95 USD
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Jannis Kounellis, Bann, Stephen
13 Bann, Stephen
Jannis Kounellis
London Reaktion Books 2003 1861891520 / 9781861891525 1st Paperback NEW 4to - over 9¾" - 12" tall 
208 pp., illus. (some col.), biblio.; 28 cm. BRAND NEW. Shrinkwrapped. OVERSIZE! No priority/air, except by special arrangement. "Over the past 40 years, sculptor and installation artist Jannis Kounellis has established himself as a unique presence in the world of contemporary art. His work, whether included in temporary exhibitions or placed in semi-permanent installations, invariably lingers in the memory because of its forceful character and its ability to transform its immediate environment. Stephen Bann refers to Kounellis's working practice as a process of 'making strange.' In all his installations, the material impact of the work sets off a trail of associations. Potent examples include his 1969 installation of twelve tethered live horses in a gallery in Rome, the city where the prototypes of the equestrian monuments of Antiquity can still be seen, or his 1975 Civil Tragedy installation in which a hat-stand with black hat and coat against a gold-leaf background lit by a small lamp recalled the café society of Central Europe against a wall of Byzantine splendour. As an artist, Kounellis has found his special location in Rome. At the age of 20, he made the journey there from Piraeus, the ancient port of Athens, and began his career. His works continue to bear the hallmarks of his Eastern Mediterranean origin, as well as testifying to his concern with the links between Russian Modernism and the Byzantine tradition. Stephen Bann has not set out to write a conventional monograph about the artist. Rather, he looks at the underlying mechanisms in Kounellis's practice, suggesting the ways in which they are important in the broader context of late modernist art. He outlines the distinctive way in which Kounellis takes account of space as a necessary preliminary to working within it, and discusses the historical and cultural dimension to which Kounellis lays claim. / Stephen Bann is Professor in the Department of History of Art at the University of Bristol. He has published widely in the field of contemporary art. He is co-editor of Interpreting Contemporary Art (Reaktion, 1991), editor of Frankenstein, Creation and Monstrosity (Reaktion, 1994) and author of Romanticism and the Rise of History (1995) and Paul Delaroche: History Painted (Reaktion, 1997)." - Publisher. 
Price: 24.95 USD
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Judith Barry: Projections: Mise en Abyme, Barry, Judith; Wallis, Brian (Essay by)
14 Barry, Judith; Wallis, Brian (Essay by)
Judith Barry: Projections: Mise en Abyme
North Vancouver, BC Presentation House Gallery 1997 0920293387 / 9780920293386 1st Paperback Fine Exhibition Catalogue 12mo - over 6¾" - 7¾" tall 
96 pp., illus., bib. notes; 19 cm. Published in connection with the exhibit, "Judith Barry: Projections," held at Presentation House Gallery, Mar. 3-Apr. 4, 1993. Tight, clean copy. Barry is a feminist artist internationally known for her videos and installations. Includes an Essay by Wallis and "Uncanny Installations: A Conversation between Judith Barry, Brian Wallis, and Mark Wigley." 
Price: 24.95 USD
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Lawrence Weiner: Until It Is, Basualdo, Carlos (Curated by); Kotz, Liz (Essay by)
15 Basualdo, Carlos (Curated by); Kotz, Liz (Essay by)
Lawrence Weiner: Until It Is
Columbus, OH Wexner Center for the Arts, Ohio State University 2002 1881390322 / 9781881390329 1st Ring Binding Fine Exhibition Catalogue Folio - over 12" - 15" tall 
[40] pp., illus. (chiefly col.), ports.; 18 x 36 cm. AS ISSUED. Oversize artist's book, with large ring binding. Collectible. OVERSIZE! No priority/air, except by special arrangement. "This artist's book is published in association with . an installation and audio project as part of the Wexner Center's 'Notations' series; the installation remains on view on the campus of the Ohio State University through July 2004"--Colophon. 
Price: 49.95 USD
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Distemper: Dissonant Themes in the Art of the 1990s, Benezra, Neal, and Viso, Olga M.
16 Benezra, Neal, and Viso, Olga M.
Distemper: Dissonant Themes in the Art of the 1990s
Washington D.C. Hirshhorn Museum and Sculpture Garden 1996 1881616738 / 9781881616733 1st Paperback Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
x, 134 pp., illus. (some col.), biblio.; 28 cm. Exhibition held at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 20-Sept. 15, 1996. Firm binding, clean inside copy. OVERSIZE! No priority/air, except by special arrangement. Includes: Miroslaw Balka, Marlene Dumas, Robert Gober, Mona Hatoum, Mike Kelley, Guillermo Kuitca, Charles Ray, Doris Salcedo, Thomas Schutte, and Rachel Whiteread. 
Price: 34.95 USD
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William Pope.L: The Friendliest Black Artist in America, Bessire, Mark H. C. (Edited by)
17 Bessire, Mark H. C. (Edited by)
William Pope.L: The Friendliest Black Artist in America
Cambridge, MA MIT Press 2003 0262025337 / 9780262025331 1st Hardcover Very Good Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
Cloth, gilt, 237 pp., col. illus.; 26 cm. Edges stained green. Ribbon book mark. Exhibition schedule, July 26-October 17, 2002, Institute of Contemporary Art at Maine College of Art, Portland, Me. and others. Firm binding, clean inside copy. First 4 leaves slightly creased. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. "The artist William Pope.L, who teaches at Bates College in Lewiston, Maine, has been producing some of the most original visual and performing art in America for many years. But it was not until the Acting Chairman of the National Endowment for the Arts overturned the recommendations of the NEA's own advisory panel to support this publication and the exhibition it accompanies that Pope.L became the subject of feature articles in the nation's major newspapers. Pope.L became a cause célèbre as a result of the scandal, but he deserved to be known long before that. His work is humane, accessible, profound, and humorous; it is also deeply challenging and self-aware. It is neither an accident nor a joke that his business card reads 'Friendliest Black Artist in America.' Many of Pope.L's pieces take place on the street. He has eaten and regurgitated copies of The Wall Street Journal, tied himself to a bank door and handed out money (a sort of reverse panhandler), crawled up the Bowery wearing a business suit, and walked down 125th Street in Harlem wearing a 12-foot white cardboard phallus. Although he frequently deals with racial issues, his work confounds preconceptions of what 'black art' should be. This book, which accompanies a nationally touring exhibition of Pope.L's work, explores his impact on American art and culture. It contains sections on practices, body, performance, dialogue, consumption, and a selection of the artist's writings and a chronology. The essays are by Mark H. C. Bessire, Suzanne Preston Blier, C. Carr, Geoffrey Hendricks, Stuart Horodner, Lowery Stokes Sims, Kristine Stiles, and Martha Wilson. / Mark H. C. Bessire is Director of the Bates College Museum of Art in Lewiston, Maine." - Publisher. CONTENTS: Foreword, by Mark H. C. Bessire, Stuart Horodner, Sara Kellner; Essays: Friendliest Black Artist in America, by Mark H. C. Bessire; From an Old Overcoat to Workboots and a Jockstrap (A 22 Year Journey of Friendship with Pope. L), by Geoffrey Hendricks; Thunderbird Immolation: Burning Racism, by Kristine Stiles; Limited Warranty, by Martha Wilson; In the Discomfort Zone, by C. Carr; Working and William, by Stuart Horodner; Dialogue: Interview with William Pope. L, by Lowery Stokes Sims; Artist's Writings; Bocio, Eats Notes 200 vol. 2, Hole Theory (Parts Four, January 2002), by William Pope. L; Practices; Objects; Street Performances; Installation/Performances. 
Price: 34.95 USD
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Ghost Writer, Bloom, Barbara
18 Bloom, Barbara
Ghost Writer
Berlin Künstlerprogramm des DAAD 1988 3893570098 / 9783893570096 1st Paperback Very Good Collectible 8vo - over 7¾" - 9¾" tall 
97, 114 pp., illus. (some col.); 24 cm. Text in English and German. Limited edition of 1200 copies. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. Collectible. Arranged tête-a-bêche. Rare artist's book. 
Price: 89.95 USD
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Christian Boltanski: Lessons of Darkness, Boltanski, Christian; Gumpert, Lynn, and Jacob, Mary Jane (Curated by)
19 Boltanski, Christian; Gumpert, Lynn, and Jacob, Mary Jane (Curated by)
Christian Boltanski: Lessons of Darkness
Chicago Museum of Contemporary Art 1988 0914357158 / 9780914357155 1st Paperback Very Good Exhibition Catalogue 4to - over 9¾" - 12" tall 
119 pp., illus. (some col.), ports., biblio.; 30 cm. Exhibition held at the Museum of Contemporary Art, Chicago, April 23 to June 19, 1988, the Museum of Contemporary Art, Los Angeles, July 12 to October 2, 1988, the New Museum of Contemporary Art, New York, December 19, 1988 to February 12, 1989, Vancouver Art Gallery, Vancouver, British Columbia, March 15 to May 15, 1989, University Art Gallery, Berkeley, Calif., July 19 to September 17, 1989, and The Power Plant, Toronto, November 24, 1989 to January 7, 1990. Firm binding, clean inside copy. Light handling/storage soil on wraps. OVERSIZE! No priority/international, except by special arrangement. The French artist Christian Boltanski (b. 1944) is known for his haunting installations on the Shoah/Holocaust illuminated by incandescent lightbulbs. 
Price: 34.95 USD
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Truce: Echoes of Art in an Age of Endless Conclusions, Bonami, Francesco (Curated by); Friedman, Thomas L., and Schorr, Collier, and Grachos, Louis, and Phillips, Joann, and Foshay-Miller, Bobbie (Essays by)
20 Bonami, Francesco (Curated by); Friedman, Thomas L., and Schorr, Collier, and Grachos, Louis, and Phillips, Joann, and Foshay-Miller, Bobbie (Essays by)
Truce: Echoes of Art in an Age of Endless Conclusions
Santa Fe, NM SITE Santa Fe 1997 0965058328 / 9780965058322 1st Paperback Fine Exhibition Catalogue 4to - over 9¾" - 12" tall 
107 pp., illus. (some col.); 28 cm. Catalogue of an exhibition held at Site Santa Fe, July 18-Oct. 12, 1997. AS NEW. An international selection of artists. 
Price: 24.95 USD
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