De Salvo, Donna, And Berger, Maurice, And Kozloff, Max, And Silver, Kenneth E., And Wallace, Michele Listings

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	1 De Salvo, Donna, and Berger, Maurice, and Kozloff, Max, and Silver, Kenneth E., and Wallace, Michele Face Value: American Portraits Paris and Southampton, NY Editions Flammarion; Parrish Art Museum 1995 First Edition Hard Cover Fine Fine Exhibition Catalogue  Cloth, 128 pp., illus. (some col.), bib. notes; 23 cm. Catalogue for the exhibition at the Parrish Art Museum, Jul 16-Sept. 3, 1995, Wexner Center for the Arts, Columbus, Ohio, Feb. 3-Apr. 21, 1996, and Tampa Museum of Art, Tampa, Fla., July 14-Sept. 8, 1996. AS NEW. Dust jacket protected in a mylar book cover. Contents: Facing Both Ways: Some Thoughts on Portraiture Today, by Donna De Salvo; In Praise of the Particular: American Portraits, by Kenneth E. Silver; Making Faces, by Maurice Berger; Portraiture and Performance, by Max Kozloff; The Gap Alternative, by Michele Wallace.  Price: 39.95 USD Add to Shopping Cart
	2 Berger, Maurice How Art Becomes History: Essays on Art, Society, and Culture in Post-New Deal America New York Harper Collins; Icon Editions Ser. 1992 0064303853 / 9780064303859 First Edition, First Printing Hard Cover Very Good Very Good  200 pp., illus., bib. notes, index; 24 cm. Near fine. Tight, clean copy. Sticker shadow/front free endpaper. Dust jacket, with creased flaps, protected in a mylar book cover.  Price: 39.95 USD Add to Shopping Cart
	3 Berger, Maurice How Art Becomes History: Essays on Art, Society, and Culture in Post-New Deal America New York HarperCollins; IconEditions 1992 0064302024 / 9780064302029 First Printing Trade Paperback Very Good  xxiii, 200 pp., illus., bib. notes, index; 23 cm. Tight, clean copy. Light shelfwear to wraps.  Price: 29.95 USD Add to Shopping Cart
	4 Berger, Maurice How Art Becomes History: Essays on Art, Society, and Culture in Post-New Deal America New York Harper Collins; Icon Editions Ser. 1992 0064303853 / 9780064303859 First Edition, First Printing Hard Cover Good Good  200 pp., illus., bib. notes, index; 24 cm. Good+. Tight, clean text. Dampstained top edge, with dye from backstrip bleeding onto the back endpapers a little. Appears unread. Dust jacket waterstained (pages don't stick/no mold). A good reading copy. Another copy available.  Price: 9.95 USD Add to Shopping Cart
	5 Berger, Maurice Labyrinths: Robert Morris, Minimalism, and the 1960s New York HarperCollins 1989 0064301850 / 9780064301855 Soft Cover Very Good  xvi, 175 pp., illus., index; 24 cm. Tight, clean text. Previous owner's blind stamp on half-title page, otherwise unmarked. Light shelfwear to wraps. An excellent monograph on the Minimalist sculptor Robert Morris that situates his work within the aesthetic, social & political context of the sixties.  Price: 44.95 USD Add to Shopping Cart
	6 Berger, Maurice Labyrinths: Robert Morris, Minimalism, and the 1960s New York Harper & Row, Publishers; Icon Editions 1989 0064303845 / 9780064303842 First Edition, First Printing Hard Cover Very Good Fine  Cloth, xvi, 175 pp., illus., index; 25 cm. Near fine. Firm binding, clean inside copy. Light dust spotting/top edge. Stated "First Edition." Dust jacket protected in a mylar book cover. An excellent monograph on the Minimalist sculptor Robert Morris that situates his work within the aesthetic, social & political context of the sixties.  Price: 99.95 USD Add to Shopping Cart
	7 Hassinger, Maren; Berger, Maurice (Essay by) Maren Hassinger, 1972-1991 Brookville, NY Hillwood Art Gallery 1992 0933699239 / 9780933699236 First Edition Wraps Fine Exhibition Catalogue  48 pp., chiefly illus., bib. notes; 19 x 26 cm. Firm binding, clean inside copy.  Price: 44.95 USD Add to Shopping Cart
	8 Berger, Maurice Minimal Politics: Performativity and Minimalism in Recent American Art Baltimore, MD Fine Arts Gallery, University of Maryland 1997 1890761001 / 9781890761004 First Edition Soft Cover Very Good Exhibition Catalogue  ix, 161 pp., illus., biblio.; 23 cm. Issues in Cultural Theory, no. 1. Published to accompany the exhibition "Minimal Politics" at the Fine Arts Gallery, Univ. of Maryland, Baltimore County, held Sept. 25, 1997-Jan. 17, 1998. Tight, clean copy. Spine slightly bent/creasing. Wraps lightly rubbed. Includes: Hans Haacke, Mary Kelly, Robert Morris, Adrian Piper, and Yvonne Rainer.  Price: 31.95 USD Add to Shopping Cart
	9 Berger, Maurice (Edited by) New Observations, no. 35: Labyrinths/Paracriticism New York New Observations 1985 Wraps Very Good Serial  Firm binding, clean inside copy. Age toning.  Price: 39.95 USD Add to Shopping Cart
	10 Berger, Maurice, and De Salvo, Donna, and Wallach, Alan Past Imperfect: A Museum Looks at Itself Southampton, NY Parrish Art Museum 1994 0943526264 / 9780943526263 Hard Cover Fair No DJ Exhibition Catalogue  80 pp., illus. (some col.), bib. notes; 32 cm. Working copy. Front panel waterstained. Clean inside copy. OVERSIZE! No priority/air, except by special arrangement.  Price: 11.95 USD Add to Shopping Cart
	11 Berger, Maurice (Edited by); Lynes, Barbara Buhler (Preface by) Postmodernism: A Virtual Discussion Baltimore, MD, and Santa Fe, NM Center for Art and Visual Culture, University of Maryland Baltimore County; Georgia O'Keeffe Museum Research Center 2003 1890761052 / 9781890761059 First Edition Trade Paperback Very Good  193 pp., bib. notes; 23 cm. Issues in Cultural Theory Ser., no. 5. Near fine. Tight, clean copy. Light edgewear to wraps. Transcript of an online symposium on the Georgia O'Keeffe Museum website, Oct. 1-14, 2001: The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000. Intended to be a follow-up to the symposium, Defining American Modernism (1890-present), held in Santa Fe at the opening of the Georgia O'Keeffe Museum Research Center, July 12-14, 2001). Contributions by Robert Rosenblum, Michelle Wallace, Maxwell Anderson, Catherine Lord, Jonathan Weinberg, Olu Oguibe, Michael Leja, Dan Cameron, Yvonne Rainer, Donna deSalvo, Simon Leung, Chrissie Iles, Jennifer Gonzalez, Wendy Ewald, Kellie Jones, David Ross, and Jerry Saltz. "What is postmodernism and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did modernism wane as a viable force in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years--television, personal computers, the Internet--altered the nature of progressive art in the United States? Are any of these changes innately postmodern? These issues and more were debated during the two week online conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion features the edited proceedings, with contribution from an international group of scholars, artists, and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer, and Robert Rosenblum." - Publisher. Art and globalization -- Congresses.  Price: 29.95 USD Add to Shopping Cart
	12 Berger, Maurice (Edited by) The Crisis of Criticism New York New Press 1998 1565844173 / 9781565844179 Mass Market Paperback Fine  172 pp., bib. notes; 18 cm. Tight, clean copy. Contributions by Berger, Homi Bhabha, Michael Branson, Arlene Croce, Jim Hoberman, bell hooks, Wayne Kostenbaum, Richard Martin, Joyce Carol Oates, and Sarah Rothenberg.  Price: 17.95 USD Add to Shopping Cart
	13 Berger, Maurice White: Whiteness and Race in Contemporary Art Baltimore Center for Art and Visual Culture, University of Maryland Baltimore County 2004 1890761060 / 9781890761066 First Edition Soft Cover Fine Exhibition Catalogue  117 pp., illus. (some col.), biblio.; 23 cm. Issues in Cultural Theory, no. 7. Exhibition held: Center for Art and Visual Culture, University of Maryland Baltimore County, 9 October 2003-10 January 2004; and International Center of Photography, New York, NY, 11 December 2004-6 March 2005. With contributions by Wendy Ewald, David Roediger, Patricia J. Williams. AS NEW. "Over the past 20 years, the cultural and scholarly discourse around race has exploded to include the study of whiteness and white privilege, representing a radical shift in the way we think and talk about race in the United States. Since the advent of the modern civil rights movement, people of color have usually been responsible for leading the debate and discussion about race and racism, forced to evaluate the status of their race in relation to the prejudice they experience every day--while most white people, even the most liberal, are usually oblivious to the psychological and political weight of their own color. The study of whiteness asks all Americans--and especially white people--to take stock of the political, psychological, economic and cultural implication of white skin, white entitlement and white privilege. White: Whiteness and Race in Contemporary Art, the first exhibition and book devoted to the subject, gives voice to 11 artists who explicitly address the issue of whiteness: Max Becher and Andrea Robbin, Nayland Blake, Nancy Burson, Wendy Ewald and Mike Kelley, William Kentridge, Barbara Kruger, Nikki S. Lee, Cindy Sherman, and Gary Simmons. David R. Roediger, Professor of History and American Studies at the University of Minnesota, contributes an essay on whiteness in the culture at large, and Patricia J. Williams, Professor of Law at Columbia University, writes about the social and legal implications of whiteness. Curator Maurice Berger, author of White Lies: Race and the Myths of Whiteness, provides an introductory text on whiteness and art as well as individual artist essays." - Publisher.  Price: 39.95 USD Add to Shopping Cart
	14 Rainer, Yvonne; Berger, Maurice (Essay by), and Doughty, Jacqueline (Foreword by) Yvonne Rainer: Performance into Politics London Barbican Centre 1998 First Edition Wraps Fine Exhibition Catalogue  16 pp., illus.; 21 cm. Exhibition held 10 June - 15 July, 1998. Firm binding, clean inside copy. Small brochure, with a good introductory essay by Berger.  Price: 49.95 USD Add to Shopping Cart