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Elderfield, John (Edited By) ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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Elderfield, John (Edited by)
American Art of the 1960s
New York Museum of Modern Art; Studies in Modern Art Ser., 1 1991 0870701800 / 9780870701801 First Edition Hard Cover Very Good Very Good
Cloth, 184 pp., illus. (part col.), bib. notes, index; 26 cm. Series edited by James Leggio and Susan Weiley. Near fine. Firm binding, clean inside copy. Small remainder mark/tail edge. Dust jacket, with light edgewear/nicked, protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. Essays by: Lynn Zelevansky, "Ad Reinhardt and the Younger Artists of the 1960s"; Wendy Weitman, "Jasper Johns: Ale Cans and Art"; John Elderfield, "The Precursor"; Joseph Ruzicka, "Jim Dine and Performance"; Rosalind Krauss, "Overcoming the Limits of Matter: On Revising Minimalism"; Stuart Wrede, "Complexity and Contradiction Twenty-five Years Later: An Interview with Robert Venturi"; Charles Silver, "Elia Kazan's Wild River."
Price:
44.95 USD
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Elderfield, John (Edited by)
American Art of the 1960s
New York Museum of Modern Art; Studies in Modern Art Ser., 1 1991 0870704583 / 9780870704581 Soft Cover Fine
184 pp., illus. (part col.), bib. notes, index; 25 cm. Series edited by James Leggio and Susan Weiley. AS NEW. Still in publisher's shrinkwrap. Essays by: Lynn Zelevansky, "Ad Reinhardt and the Younger Artists of the 1960s"; Wendy Weitman, "Jasper Johns: Ale Cans and Art"; John Elderfield, "The Precursor"; Joseph Ruzicka, "Jim Dine and Performance"; Rosalind Krauss, "Overcoming the Limits of Matter: On Revising Minimalism"; Stuart Wrede, "Complexity and Contradiction Twenty-five Years Later: An Interview with Robert Venturi"; Charles Silver, "Elia Kazan's Wild River."
Price:
39.95 USD
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Alexander, M. Darsie, and Chan, Mary, and Figura, Starr, and Gonzales, Maria del Carmen; Elderfield, John (Introduction by)
Body Language
New York Museum of Modern Art: Distributed by Harry N. Abrams 1999 087070026X / 9780870700262 Soft Cover Very Good Exhibition Catalogue
144 pp., illus. (some col.), ports., bib. notes; 26 cm. Published on the occasion of the exhibition, ModernStarts: people, places, things at the Museum of Modern Art, New York, October 7, 1999-March 14, 2000. Tight, clean copy. Top right corner lightly bumped. OVERSIZE! No priority/international, except by special arrangement. The exhibition is part of three cycles of exhibitions known as MoMA2000. CONTENTS: Introduction, by John Elderfield; Faces, by Mary Chan; Gesture, by Starr Figura; Posture, by Sarah Ganz; Pairs, by Maria del Carmen González; Groups, by M. Darsie Alexander.
Price:
31.95 USD
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Elderfield, John
Henri Matisse: A Retrospective
New York Museum of Modern Art 1992 0870704338 / 9780870704338 Soft Cover Very Good Exhibition Catalogue
480 pp., illus. (some col.), bib. notes, index; 31 cm. Published in conjunction with the exhibition held at the Museum of Modern Art, September 14, 1992-January 12, 1993. Firm binding, creased spine. Clean inside copy. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: Describing Matissem by John Elderfield; Profound and lucid sight; An impossible coherence; An experiment in luxury; A primal scene; The birth of modern painting; Plates and Chronology: catalogue, by John Elderfield with Beatrice Kernan, including a chronology compiled with Judith Cousins; 1869-1905 Discovering modern art; 1905-1907 The Fauvist epoch; 1908-1913 Art and decoration; 1913-1917 Abstraction and experimentation; 1917-1930 The early years at Nice; 1930-1943 Themes and variations; 1943-1954 The final years.
Price:
49.95 USD
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Auping, Michael, and Elderfield, John, and Sontag, Susan; Price, Marla (Catalogue Raisonné by)
Howard Hodgkin Paintings
Fort Worth, TX Modern Art Museum of Fort Worth 1995 Soft Cover Fine Exhibition Catalogue
216 pp., illus. (some col.), biblio.; 30 cm. Firm binding, clean inside copy. OVERSIZE! No priority/air, except by special arrangement. A retrospective of the British abstract painter.
Price:
39.95 USD
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Elderfield, John (Edited by)
Imagining the Future of the Museum of Modern Art: Studies in Modern Art 7
New York Museum of Modern Art; Studies in Modern Art Ser. 7 1998 0870700561 / 9780870700569 First Edition Soft Cover Very Good Collectible
343 pp., illus.; 26 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Preface, by John Elderfield; The New Museum of Modern Art expansion: a process of discovery, by Glenn D. Lowry; Conference and lecture series: Introduction, by John Elderfield; The Pocantico Conference: Building the future, museums of modern art in the twenty-first century; Opening remarks, by Glenn D. Lowry, Kirk Varnedoe; Conversation I: Peter Eisenman, Lars Nittve, Richard Serra, Mark Taylor, by Margit Rowell, moderator; Conversation II: Adam Gopnik, Robert Irwin, Susanna Torruella Leval, Bernard Tschumi, by John Elderfield, moderator; Conversation III: Jean-Louis Cohen, Arata Isozaki, Elizabeth Murray, John Walsh, by Peter Galassi, moderator; Conversation IV: Sheila Levrant de Bretteville, James Cuno, Rem Koolhaas, Bill Viola, by Deborah Wye, moderator; Summary session: Mary Lea Bandy, Terence Riley, Patterson Sims, by Glenn D. Lowry, moderator; Lecture series: Imagining the Museum of Modern Art in the twenty-first century. Building the future: some observations on art, architecture, and the Museum of Modern Art, by Glenn D. Lowry; The idea of a modern museum, by Jorge Klor de Alva, Henri Zerner, by John Elderfield, moderator; The museum and society: Janet Abrams, Robert A.M. Stern, Fred Wilson, by Helen Searing, moderator; Rethinking the modern: Terence Riley, with Mary Lea Bandy, John Elderfield, Glenn D. Lowry; The Charette: Introduction, by Terence Riley; Excerpts from the architects' submissions: Wiel Arets, Steven Holl, Toyo Ito, Rem Koolhaas, Dominique Perrault, Rafael Vin~oly, Tod Williams/Billie Tsien; The finalists: Jacques Herzog and Pierre de Meuron, Yoshio Taniguchi, Bernard Tschumi; The architectural competition: Introduction, by Terence Riley; Excerpts from the architects' proposals: Jacques Herzog and Pierre de Meuron, Yoshio Taniguchi, Bernard Tschumi.
Price:
49.95 USD
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Elderfield, John, and Reed, Peter, and Chan, Mary, and Del Carmen Gonzalez, Maria (Joint Editors)
Modern Starts: People, Places, Things
New York Museum of Modern Art 1999 0870700243 / 9780870700248 Reprint, 2000 Soft Cover NEW Exhibition Catalogue
360 pp., illus. (chiefly col.), bib. notes, index; 31 cm. BRAND NEW. Shrinkwrapped. Covers the period 1880-1920. OVERSIZE! No priority/air, except by special arrangement. "A challenging exploration of the visual arts from 1880 through 1920, Modern Startsis an unconventional guide to the beginnings of modernism. Deliberately abandoning customary labels--such as Fauvism, Cubism, and Futurism--and accepted chronological ordering, Modern Startsoffers many pathways, each independent and self-sufficient, intended to suggest fresh modes of looking at and thinking about works both very familiar and quite unfamiliar. Loosely organized into three thematic sections, the book begins with 'People,' treating the great period of early modern figurative art from Rodin and Matisse to Munch. 'Places' features landscapes and cityscapes by such artists as Atget, Cazanne, de Chirico, and Leger. 'Things' addresses the importance of object-like works, such as Duchamp's 'Readymades' and Brancusi's sculptures; and representations of things from Picasso's still lifes to Lucian Bernhard's advertising posters. Provocative juxtapositions, new contexts, and inventive interplays of mediums provide a stimulating look at the beginnings of modernism. Published to coincide with MoMA2000, an 18-month series of exhibitions at The Museum of Modern Art, New York drawn from the Museum's incomparable collection. Modern Starts is the first in a series of three volumes focusing on distinct periods: 1880-1920, 1920-60, and 1960-2000." - Publisher.
Price:
49.95 USD
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9 |
Elderfield, John
Morris Louis
London Hayward Gallery; Arts Council of Great Britain 1974 First Edition Soft Cover Very Good Exhibition Catalogue
78 pp., illus. (chiefly col.), biblio. notes; 23 cm. Published on the occasion of an exhibition at the Hayward Gallery, June 27-Sept. 1, 1974. Firm binding, clean inside copy. Slight discolouration/soiling to white wraps, with light edgewear. Important exhibition of Morris Louis' Color-Field paintings, with a lengthy essay by Elderfield, differentiating his series of Veils; Florals, Columns, Omegas, Japanese Banners; Unfurleds; and Stripes.
Price:
71.95 USD
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Elderfield, John (Curated by)
Morris Louis
New York Museum of Modern Art 1986 0870704192 / 9780870704192 First paperback edition Soft Cover Very Good Exhibition Catalogue
191 pp., illus. (chiefly col.), biblio.; 25 x 28 cm. Published on the occasion of an exhibition at the Museum of Modern Art, New York, October 6, 1986-January 4, 1987, the Fort Worth Art Museum, Fort Worth, Texas, February 15-April 12, 1987, [and at the] Hirshhorn Museum and Sculpture Garden, Washington, D.C., May 20-July 26, 1987. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. OVERSIZE! No priority/air, except by special arrangement. Richly illustrated with colour plates. A major retrospective of the Washington Color School painter Morris Louis (1912-1962), who was celebrated by Clement Greenberg and other formalist partisans (including author Elderfield) for his "post-painterly," "color-field" paintings. His staining technique, also adopted by Kenneth Noland, was derived from Helen Frankenthaler's paintings of the early fifties, which, in turn, drew their inspiration from Jackson Pollock's abstract expressionist canvases. Louis' paintings, however, are drained of the expressive angst of the earlier generation, anticipating the cool Minimalism of the sixties.
Price:
44.95 USD
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11 |
Elderfield, John (Curated by)
New Work on Paper 1
New York Museum of Modern Art 1981 0870704966 / 9780870704963 First Edition Soft Cover Very Good Exhibition Catalogue
56 pp., illus. (some col.); 23 cm. Near fine. Firm binding, clean inside copy. Age toning. Includes: Jake Berthot, Dan Christensen, Alan Cote, Tom Holland, Yvonne Jacquette, Ken Kiff, Joan Snyder, and William Tucker.
Price:
29.95 USD
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12 |
Elderfield, John (Edited by); Varnedoe, Kirk, and Riley, Terence, and Reed, Peter, and Benes, Mirka (Essays by)
Philip Johnson and the Museum of Modern Art
New York Museum of Modern Art; Studies in Modern Art, 6 1998 0870701177 / 9780870701177 Soft Cover Very Good
167 pp., illus. (some col.), ports., plans, bib. notes; 26 cm. Near fine. Tight, clean copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: Preface, by John Elderfield; Philip Johnson as Donor to the Museum Collections: An Overview, by Portrait of the Curator as a Young Man, by Terence Riley; The Space and the Frame: Philip Johnson as the Museum's Architect, by Peter Reed; A Modern Classic: The Abby Aldrich Rockefeller Sculpture Garden, by Mirka Benes.
Price:
69.95 USD
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13 |
Elderfield, John (Curated by)
The "Wild Beasts": Fauvism and Its Affinities
New York Museum of Modern Art 1976 0870706381 / 9780870706387 Soft Cover Good Exhibition Catalogue
167 pp., illus. (some col.), biblio.; 23 cm. Published on the occasion of an exhibition of Fauvist art held at the Museum of Modern Art, March 26-June 1, 1976, at the San Francisco Museum of Modern Art, June 29-Aug. 15, 1976, and at the Kimbell Art Museum, Fort Worth, Sept. 11-Oct. 31, 1976. Firm binding, creased spine. Previous owner's signature/half-title page, otherwise unmarked. Age toning. Another copy available.
Price:
17.95 USD
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14 |
Elderfield, John (Curated by)
The "Wild Beasts": Fauvism and Its Affinities
New York Museum of Modern Art 1976 0870706381 / 9780870706387 Soft Cover Very Good Exhibition Catalogue
167 pp., illus. (some col.), biblio.; 23 cm. Published on the occasion of an exhibition of Fauvist art held at the Museum of Modern Art, March 26-June 1, 1976, at the San Francisco Museum of Modern Art, June 29-Aug. 15, 1976, and at the Kimbell Art Museum, Fort Worth, Sept. 11-Oct. 31, 1976. Firm binding, clean inside copy. Superficial dampstain/tail edge, towards the back (no mold/mildew, pages don't stick). Age toning.
Price:
24.95 USD
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15 |
Elderfield, John
The "Wild Beasts": Fauvism and Its Affinities
New York Museum of Modern Art 1976 0870706381 / 9780870706387 Soft Cover Good Ex-Library
167 pp., illus. (some col.), biblio.; 23 cm. Published on the occasion of an exhibition of Fauvist art held at the Museum of Modern Art, March 26-June 1, 1976, at the San Francisco Museum of Modern Art, June 29-Aug. 15, 1976, and at the Kimbell Art Museum, Fort Worth, Sept. 11-Oct. 31, 1976. Withdrawn from library collection, with usual markings, otherwise very good. No writing in text. Another copy available.
Price:
11.95 USD
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16 |
Szarkowski, John, et al. (Essays by); Elderfield, John (Edited by)
The Museum of Modern Art at Mid-Century: At Home and Abroad
New York Museum of Modern Art; Studies in Modern Art 4 1994 0870701541 / 9780870701542 First Edition Soft Cover Very Good Serial
207 pp., illus., bib. notes; 26 cm. Near fine. Firm binding, clean inside copy. Age toning. CONTENTS: "The family of man", by John Szarkowski; Revisiting the revisionists: the Modern, its critics and the cold war, by Michael Kimmelman; Dorothy Miller's "Americans," 1942-63, by Lynn Zelevansky; The early years of the International Program and Council, by Helen M. Franc; Between the Museum and the marketplace: selling good design, by Terence Riley and Edward Eigen; Chronicle of the collection of painting and sculpture [1940-63], by Alfred H. Barr, Jr.; The Museum of Modern Art: painting and sculpture loan exhibitions, 1940-63, by Rona Roob.
Price:
69.95 USD
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