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Kramer, Jane ListingsIf you cannot find what you want on this page, then please use our search feature to search all our listings. Click on Title to view full description
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Kramer, Jane Lone Patriot: The Short Career of an American Militiaman New York Pantheon Books 2002 067944873X / 9780679448730 First Edition, First Printing Hard Cover Fine Very Good ix, 259 pp.; 22 cm. Tight, clean copy. Stated "First Edition." Dust jacket nicked once. "In the mid 1990s self-styled Patriot John Pitner gathered around him a ragtag band of discontents, all eager to avenge themselves against America's enemies, both foreign and domestic. Fervently believing that a New World Order threatened their liberty and way of life, Pitner and his recruits prepared for confrontation until an FBI sting led to their arrests on conspiracy charges in 1997. In Lone Patriot, acclaimed New Yorker correspondent Jane Kramer delivers an intimate look into the life and mind of a militia leader and his followers, exploring the volatile mix of personalities and politics that shapes their extreme worldview. Through a series of exclusive interviews with them both before and after, Kramer paints an incredible portrait of a rural America that is rarely glimpsed but strikingly relevant. / Jane Kramer has written The New Yorker's 'Letter from Europe' for more than twenty years. She is the author of eight previous books, among them The Last Cowboy, Europeans, and The Politics of Memory, and has been the recipient of many awards, including a National Book Award. With Europeans, she became the first woman, and the first American, to win the Prix Européen de l'Essai 'Charles Veillon,' Europe's most prestigious award for nonfiction. She divides her time between Europe and New York." - Publisher. Price:
6.95 USD
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Kramer, Jane; Stimpson, Catharine R. (Introduction by) Whose Art Is It? Durham, NC Duke University Press 1994 0822315491 / 9780822315490 Reprint, 1999 Trade Paperback Fine 132 pp., illus.; 21 cm. Tight, clean copy. Concerns the controversy surrounding John Ahearn's public sculptures of "homeboys" and neighborhood characters installed in the South Bronx, a predominantly African American community. The artist was white and there were accusations of racial stereotyping. However, the story is more complex, as Kramer reveals. A fine example of reporting on so-called "public art" from one of the original "new journalists." Originally a New Yorker essay, 1992. Price:
24.95 USD
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