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King, Ross
Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture
Harmondsworth Penguin Books 2001 0142000159 / 9780142000151 8th printing Trade Paperback Very Good
194 pp., illus., biblio., index; 22 cm. Tight, clean copy. Browning. Another copy available. "By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man - even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore - a feat of architectural daring that we continue to marvel at today - thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras. / Born and raised in Canada, Ross King has lived in England since 1992. His writing career began in 1995 with the publication of a historical novel, Domino, about the world of masquerades and opera in 18th-century London. Its successor, Ex-Libris, was a novel about bookselling, codes and spies in 17th-century Europe. King is best known to American readers as the author of the nonfiction Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture. The seed of the book was planted when King read a brief account of the building of Brunelleschi's dome in Giorgio Vasari's 16th-century Lives of the Artists. That, and a trip to Florence, piqued his interest in learning more about the dome. When he couldn't find a book that told him what he wanted to know, he decided to write it. The book was an instant hit in the U.S.: a 2001 Book Sense Nonfiction Book of the Year and a New York Times bestseller. His most recent book is Michelangelo & the Pope's Ceiling, a nonfiction book that Ross describes as a companion piece to Brunelleschi's Dome: "In the same way that Brunelleschi's Dome is about Brunelleschi, but also about Florence at that time," King says, 'Michelangelo & the Pope's Ceiling is about Rome in the years 1508 to 1512 - sort of an artisan's-eye view of the Renaissance.' Once again it was Vasari who provided the starting-point: 'While I discovered that much of what Vasari wrote about Brunelleschi was true, the same can't exactly be said for his account of Michelangelo in the Sistine Chapel. What I wanted to do, therefore, was look through the legend to get a more accurate idea of the process of painting the fresco, and in doing so to bring a number of other characters, such as his assistants, into the picture. Michelangelo's achievement is no less stunning, and the story is, I think, actually more interesting.' Anyone familiar with Ross King's writing knows that he has an impressive knowledge of European cultural history. He originally planned a career in academia, earning his Ph.D. in English Literature and moving to England to assume a research position at the University of London. King lives near Oxford, England, in the historic town of Woodstock, the site of Blenheim Palace." - Publisher.
Price:
9.95 USD
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King, Ross
Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture
Harmondsworth Penguin Books 2001 0142000159 / 9780142000151 First paperback edition Trade Paperback Good
194 pp., illus., biblio., index; 22 cm. Tight, clean copy. Moderate shelfwear to wraps. Browning. Another copy available. "By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man - even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore - a feat of architectural daring that we continue to marvel at today - thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras. / Born and raised in Canada, Ross King has lived in England since 1992. His writing career began in 1995 with the publication of a historical novel, Domino, about the world of masquerades and opera in 18th-century London. Its successor, Ex-Libris, was a novel about bookselling, codes and spies in 17th-century Europe. King is best known to American readers as the author of the nonfiction Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture. The seed of the book was planted when King read a brief account of the building of Brunelleschi's dome in Giorgio Vasari's 16th-century Lives of the Artists. That, and a trip to Florence, piqued his interest in learning more about the dome. When he couldn't find a book that told him what he wanted to know, he decided to write it. The book was an instant hit in the U.S.: a 2001 Book Sense Nonfiction Book of the Year and a New York Times bestseller. His most recent book is Michelangelo & the Pope's Ceiling, a nonfiction book that Ross describes as a companion piece to Brunelleschi's Dome: "In the same way that Brunelleschi's Dome is about Brunelleschi, but also about Florence at that time," King says, 'Michelangelo & the Pope's Ceiling is about Rome in the years 1508 to 1512 - sort of an artisan's-eye view of the Renaissance.' Once again it was Vasari who provided the starting-point: 'While I discovered that much of what Vasari wrote about Brunelleschi was true, the same can't exactly be said for his account of Michelangelo in the Sistine Chapel. What I wanted to do, therefore, was look through the legend to get a more accurate idea of the process of painting the fresco, and in doing so to bring a number of other characters, such as his assistants, into the picture. Michelangelo's achievement is no less stunning, and the story is, I think, actually more interesting.' Anyone familiar with Ross King's writing knows that he has an impressive knowledge of European cultural history. He originally planned a career in academia, earning his Ph.D. in English Literature and moving to England to assume a research position at the University of London. King lives near Oxford, England, in the historic town of Woodstock, the site of Blenheim Palace." - Publisher.
Price:
4.95 USD
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King, Ross
Michelangelo and the Pope's Ceiling
Harmondsworth Penguin Books 2003 0142003697 / 9780142003695 Trade Paperback Very Good
vii, 371 pp., [12] pp. of plates, illus. (some col.), maps, biblio., index; 24 cm. First published, London : Chatto & Windus, 2002. Near fine. Tight, clean copy. First flyleaf dampstained. Another copy available. "In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the curved surface of vaults, which dominated the chapel's ceiling. The temperamental Michelangelo was himself reluctant, and he stormed away from Rome, risking Julius's wrath, only to be persuaded to eventually begin. Michelangelo would spend the next four years laboring over the vast ceiling. He executed hundreds of drawings, many of which are masterpieces in their own right. Contrary to legend, he and his assistants worked standing rather than on their backs, and after his years on the scaffold, Michelangelo suffered a bizarre form of eyestrain that made it impossible for him to read letters unless he held them at arm's length. Nonetheless, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, 'There is no other work to compare with this for excellence, nor could there be.' Ross King's fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems, inadequate knowledge of the art of fresco, and the pope's impatience, Michelangelo created figures—depicting the Creation, the Fall, and the Flood - so beautiful that, when they were unveiled in 1512, they stunned his onlookers. Modern anatomy has yet to find names for some of the muscles on his nudes, they are painted in such detail. While he worked, Rome teemed around him, its politics and rivalries with other city-states and with France at fever pitch, often intruding on his work. From Michelangelo's experiments with the composition of pigment and plaster to his bitter competition with the famed painter Raphael, who was working on the neighboring Papal Apartments, Ross King presents a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Rome. / Born and raised in Canada, Ross King has lived in England since 1992. His writing career began in 1995 with the publication of a historical novel, Domino, about the world of masquerades and opera in 18th-century London. Its successor, Ex-Libris, was a novel about bookselling, codes and spies in 17th-century Europe. King is best known to American readers as the author of the nonfiction Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture." - Publisher.
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5.95 USD
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King, Ross
Michelangelo and the Pope's Ceiling
New York Walker & Company 2003 0802713955 / 9780802713957 Hard Cover Fine Fine
vii, 371 pp., [12] pp. of plates, illus. (some col.), maps, biblio., index; 23 cm. First published, London: Chatto & Windus, 2002. AS NEW. Dust jacket protected in a mylar book cover. "In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the curved surface of vaults, which dominated the chapel's ceiling. The temperamental Michelangelo was himself reluctant, and he stormed away from Rome, risking Julius's wrath, only to be persuaded to eventually begin. Michelangelo would spend the next four years laboring over the vast ceiling. He executed hundreds of drawings, many of which are masterpieces in their own right. Contrary to legend, he and his assistants worked standing rather than on their backs, and after his years on the scaffold, Michelangelo suffered a bizarre form of eyestrain that made it impossible for him to read letters unless he held them at arm's length. Nonetheless, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, 'There is no other work to compare with this for excellence, nor could there be.' Ross King's fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems, inadequate knowledge of the art of fresco, and the pope's impatience, Michelangelo created figures—depicting the Creation, the Fall, and the Flood - so beautiful that, when they were unveiled in 1512, they stunned his onlookers. Modern anatomy has yet to find names for some of the muscles on his nudes, they are painted in such detail. While he worked, Rome teemed around him, its politics and rivalries with other city-states and with France at fever pitch, often intruding on his work. From Michelangelo's experiments with the composition of pigment and plaster to his bitter competition with the famed painter Raphael, who was working on the neighboring Papal Apartments, Ross King presents a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Rome. / Born and raised in Canada, Ross King has lived in England since 1992. His writing career began in 1995 with the publication of a historical novel, Domino, about the world of masquerades and opera in 18th-century London. Its successor, Ex-Libris, was a novel about bookselling, codes and spies in 17th-century Europe. King is best known to American readers as the author of the nonfiction Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture. The seed of the book was planted when King read a brief account of the building of Brunelleschi's dome in Giorgio Vasari's 16th-century Lives of the Artists. That, and a trip to Florence, piqued his interest in learning more about the dome. When he couldn't find a book that told him what he wanted to know, he decided to write it. The book was an instant hit in the U.S.: a 2001 Book Sense Nonfiction Book of the Year and a New York Times bestseller. His most recent book is Michelangelo & the Pope's Ceiling, a nonfiction book that Ross describes as a companion piece to Brunelleschi's Dome: "In the same way that Brunelleschi's Dome is about Brunelleschi, but also about Florence at that time," King says, "Michelangelo & the Pope's Ceiling is about Rome in the years 1508 to 1512 'sort of an artisan's-eye view of the Renaissance.' Once again it was Vasari who provided the starting-point: 'While I discovered that much of what Vasari wrote about Brunelleschi was true, the same can't exactly be said for his account of Michelangelo in the Sistine Chapel. What I wanted to do, therefore, was look through the legend to get a more accurate idea of the process of painting the fresco, and in doing so to bring a number of other characters, such as his assistants, into the picture. Michelangelo's achievement is no less stunning, and the story is, I think, actually more interesting.' Anyone familiar with Ross King's writing knows that he has an impressive knowledge of European cultural history. He originally planned a career in academia, earning his Ph.D. in English Literature and moving to England to assume a research position at the University of London. King lives near Oxford, England, in the historic town of Woodstock, the site of Blenheim Palace." - Publisher.
Price:
49.95 USD
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5 |
King, Ross
Michelangelo and the Pope's Ceiling
Harmondsworth Penguin Books 2003 0142003697 / 9780142003695 Trade Paperback Fine
vii, 371 pp., [12] pp. of plates, illus. (some col.), maps, biblio., index; 24 cm. First published, London : Chatto & Windus, 2002. Tight, clean copy. "In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the curved surface of vaults, which dominated the chapel's ceiling. The temperamental Michelangelo was himself reluctant, and he stormed away from Rome, risking Julius's wrath, only to be persuaded to eventually begin. Michelangelo would spend the next four years laboring over the vast ceiling. He executed hundreds of drawings, many of which are masterpieces in their own right. Contrary to legend, he and his assistants worked standing rather than on their backs, and after his years on the scaffold, Michelangelo suffered a bizarre form of eyestrain that made it impossible for him to read letters unless he held them at arm's length. Nonetheless, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, 'There is no other work to compare with this for excellence, nor could there be.' Ross King's fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems, inadequate knowledge of the art of fresco, and the pope's impatience, Michelangelo created figures—depicting the Creation, the Fall, and the Flood - so beautiful that, when they were unveiled in 1512, they stunned his onlookers. Modern anatomy has yet to find names for some of the muscles on his nudes, they are painted in such detail. While he worked, Rome teemed around him, its politics and rivalries with other city-states and with France at fever pitch, often intruding on his work. From Michelangelo's experiments with the composition of pigment and plaster to his bitter competition with the famed painter Raphael, who was working on the neighboring Papal Apartments, Ross King presents a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Rome. / Born and raised in Canada, Ross King has lived in England since 1992. His writing career began in 1995 with the publication of a historical novel, Domino, about the world of masquerades and opera in 18th-century London. Its successor, Ex-Libris, was a novel about bookselling, codes and spies in 17th-century Europe. King is best known to American readers as the author of the nonfiction Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture." - Publisher.
Price:
9.95 USD
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6 |
King, Ross
Michelangelo and the Pope's Ceiling
New York Walker & Company 2003 0802713955 / 9780802713957 Hard Cover Very Good Fine
vii, 371 pp., [12] pp. of plates, illus. (some col.), maps, biblio., index; 23 cm. First published, London: Chatto & Windus, 2002. Firm binding, clean text. Previous owner's signature/front free endpaper, otherwise tight & clean. Appears unread, in a fine DJ. "In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the curved surface of vaults, which dominated the chapel's ceiling. The temperamental Michelangelo was himself reluctant, and he stormed away from Rome, risking Julius's wrath, only to be persuaded to eventually begin. Michelangelo would spend the next four years laboring over the vast ceiling. He executed hundreds of drawings, many of which are masterpieces in their own right. Contrary to legend, he and his assistants worked standing rather than on their backs, and after his years on the scaffold, Michelangelo suffered a bizarre form of eyestrain that made it impossible for him to read letters unless he held them at arm's length. Nonetheless, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, 'There is no other work to compare with this for excellence, nor could there be.' Ross King's fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems, inadequate knowledge of the art of fresco, and the pope's impatience, Michelangelo created figures—depicting the Creation, the Fall, and the Flood - so beautiful that, when they were unveiled in 1512, they stunned his onlookers. Modern anatomy has yet to find names for some of the muscles on his nudes, they are painted in such detail. While he worked, Rome teemed around him, its politics and rivalries with other city-states and with France at fever pitch, often intruding on his work. From Michelangelo's experiments with the composition of pigment and plaster to his bitter competition with the famed painter Raphael, who was working on the neighboring Papal Apartments, Ross King presents a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Rome. / Born and raised in Canada, Ross King has lived in England since 1992. His writing career began in 1995 with the publication of a historical novel, Domino, about the world of masquerades and opera in 18th-century London. Its successor, Ex-Libris, was a novel about bookselling, codes and spies in 17th-century Europe. King is best known to American readers as the author of the nonfiction Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture. The seed of the book was planted when King read a brief account of the building of Brunelleschi's dome in Giorgio Vasari's 16th-century Lives of the Artists. That, and a trip to Florence, piqued his interest in learning more about the dome. When he couldn't find a book that told him what he wanted to know, he decided to write it. The book was an instant hit in the U.S.: a 2001 Book Sense Nonfiction Book of the Year and a New York Times bestseller. His most recent book is Michelangelo & the Pope's Ceiling, a nonfiction book that Ross describes as a companion piece to Brunelleschi's Dome: "In the same way that Brunelleschi's Dome is about Brunelleschi, but also about Florence at that time," King says, "Michelangelo & the Pope's Ceiling is about Rome in the years 1508 to 1512 'sort of an artisan's-eye view of the Renaissance.' Once again it was Vasari who provided the starting-point: 'While I discovered that much of what Vasari wrote about Brunelleschi was true, the same can't exactly be said for his account of Michelangelo in the Sistine Chapel. What I wanted to do, therefore, was look through the legend to get a more accurate idea of the process of painting the fresco, and in doing so to bring a number of other characters, such as his assistants, into the picture. Michelangelo's achievement is no less stunning, and the story is, I think, actually more interesting.' Anyone familiar with Ross King's writing knows that he has an impressive knowledge of European cultural history. He originally planned a career in academia, earning his Ph.D. in English Literature and moving to England to assume a research position at the University of London. King lives near Oxford, England, in the historic town of Woodstock, the site of Blenheim Palace." - Publisher.
Price:
11.95 USD
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7 |
King, Ross
The Judgment of Paris: The Revolutionary Decade that Gave the World Impressionism
New York Walker & Company 2006 0802714668 / 9780802714664 First Edition, First Printing Hard Cover Very Good Fine
xiii, 448 pp., [8] pp. of plates, illus. (some col.), biblio., index; 25 cm. Near fine. Tight, clean copy. Small remainder mark (dot)/top edge. Dust jacket protected in a mylar book cover. "While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial. The drama of its birth, played out on canvas, would at times resemble a battlefield; and, as Ross King reveals, Impressionism would reorder both history and culture as it resonated around the world. The Judgment of Paris chronicles the dramatic decade between two famous exhibitions - the scandalous Salon des Refuses in 1863 and the first Impressionist showing in 1874 - set against the rise and dramatic fall of Napoleon III and the Second Empire after the Franco-Prussian War. A tale of many artists, it revolves around the lives of two, described as 'the two poles of art' - Ernest Meissonier, the most famous and successful painter of the 19th century, hailed for his precision and devotion to history; and Edouard Manet, reviled in his time, who nonetheless heralded the most radical change in the history of art since the Renaissance. Out of the fascinating story of their parallel lives, illuminated by their legendary supporters and critics - Zola, Delacroix, Courbet, Baudelaire, Whistler, Monet, Hugo, Degas, and many more - Ross King shows that their contest was not just about Art, it was about competing visions of a rapidly changing world. With a novelist's skill and the insight of an historian, King recalls a seminal period when Paris was the artistic center of the world, and a revolutionary movement had the power to electrify and divide a nation. / Born and raised in Canada, Ross King has lived in England since 1992." - Publisher.
Price:
17.95 USD
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King, Ross
The Judgment of Paris: The Revolutionary Decade that Gave the World Impressionism
New York Walker & Company 2006 0802714668 / 9780802714664 First Edition, First Printing Hard Cover Good No DJ
xiii, 448 pp., [8] pp. of plates, illus. (some col.), biblio., index; 25 cm. Good+. Firm binding, creased spine. Clean inside copy. Missing DJ. "While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial. The drama of its birth, played out on canvas, would at times resemble a battlefield; and, as Ross King reveals, Impressionism would reorder both history and culture as it resonated around the world. The Judgment of Paris chronicles the dramatic decade between two famous exhibitions - the scandalous Salon des Refuses in 1863 and the first Impressionist showing in 1874 - set against the rise and dramatic fall of Napoleon III and the Second Empire after the Franco-Prussian War. A tale of many artists, it revolves around the lives of two, described as 'the two poles of art' - Ernest Meissonier, the most famous and successful painter of the 19th century, hailed for his precision and devotion to history; and Edouard Manet, reviled in his time, who nonetheless heralded the most radical change in the history of art since the Renaissance. Out of the fascinating story of their parallel lives, illuminated by their legendary supporters and critics - Zola, Delacroix, Courbet, Baudelaire, Whistler, Monet, Hugo, Degas, and many more - Ross King shows that their contest was not just about Art, it was about competing visions of a rapidly changing world. With a novelist's skill and the insight of an historian, King recalls a seminal period when Paris was the artistic center of the world, and a revolutionary movement had the power to electrify and divide a nation. / Born and raised in Canada, Ross King has lived in England since 1992." - Publisher.
Price:
4.95 USD
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